list last updated Saturday, 13 May 2006
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camouflage patterns |
created |
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[ ‘Bushland’ δ-series, Urban 4.1 ] |
2006-03-10 |
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[ ‘Kurdaitcha’ β-series, Urban 4.1 ] |
2006-03-07 |
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[ ‘Kurdaitcha’ β-series, Urban 4.2, bright ] |
2006-04-14 |
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[ ‘Kurdaitcha’ β-series, Urban 4.2, dark ] |
2006-03-07 |
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[ ‘Kurdaitcha’ β-series, Urban 4.2, subdued ] |
2006-04-14 |
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[ ‘Lichen’ α-series, Urban 4.1 ] |
2006-02-14 |
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[ ‘Lichen’ α-series, Urban 4.2 ] |
2006-03-09 |
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[ ‘Stones’ α-series, Urban 4.1 ] |
2006-02-14 |
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[ ‘Stones’ α-series, Urban 4.2 ] |
2006-04-30 |
click images for more information
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Urban areas present challenges that differ dramatically from those posed by natural environments. For instance, the tactical ranges involved in urban fighting are, in most cases, significantly shorter. Also, urban environments have more straight edges, with many horizontal and vertical lines, and their specific characteristics vary widely from location to location, around the world.
Many proposed designs for urban camouflage uniforms have incorporated hard, straight edges, in an attempt to mimic the artificial boundaries found in urban terrain. Roggenwolf urban digital camouflage patterns, on the other hand, represent a departure from this conventional approach.
First and foremost, Roggenwolf urban digital camouflage patterns are designed to disrupt the familiar human shape. This disruptive effect is achieved through the use of a strong macropattern.
Each Roggenwolf urban digital camouflage pattern incorporates a macropattern that is composed of large, contrasting elements. The observer's eye is unconsciously drawn to the lighter areas and, since the brain interprets the difference between light and dark as a natural boundary, it is discouraged from 'putting together' the contrasting areas and perceiving a single object.
Still, a well-devised macropattern can do only so much; the choice and arrangement of colours is also important. If the colours displayed in a camouflage pattern differ too much from the colours present in the immediate surroundings, the target shape can still be discerned and successful recognition shall occur.
To date, designs for urban camouflage uniforms typically have used shades of grey, in hopes of creating a ‘universal’ palette that can work in a variety of urban locations. Roggenwolf urban digital camouflage patterns, on the other hand, again represent a departure from the conventional approach.
Appropriate colours help a camouflage pattern to blend with its surroundings, for which reason the colours displayed in an effective camouflage pattern are usually derived from the colours that dominate any given tactical environment. Unfortunately, there is no such thing as a ‘typical’ urban environment; so the colours used for Roggenwolf urban digital camouflage patterns have been based upon an understanding of the human visual system.
Although neutralised tints of desert pink, brick pink and light brick pink might seem extremely unlikely choices for any camouflage pattern, it should be noted that these colours are among the small group that apparently are difficult for the human eye to distinguish. This is especially true under mesopic and scotopic conditions, where vision is mitigated partially or wholly by photoreceptor cells known as rod cells. Under such lighting conditions, the peak sensitivity of the human eye shifts toward the blue end of the visible spectrum; colours from the red end of the spectrum appear less bright and are more difficult to discern.
notice: All materials, including photos, camouflage patterns, simulations and text embodied within the pages of this Web site are the property of their respective copyright holders and may not be used elsewhere without explicit written permission from the copyright holder.
All original camouflage patterns and simulations shown on this Web site are copyright © 2005–2006
[ Brad Turner ]. All rights reserved.